“Westworld” is Michael Crichton’s first foray into the theme-park-as-hell genre which he followed up more successfully in “Jurassic Park”, but it’s a very reliable film on its hold. Here we have James Brolin and Richard Benjamin, two bored yuppies, starting their holiday in Delos, billed as the ultimate theme park, “where nothing can go imperfect”. Yeah, accurate. Customers pay through their noses to exhaust a vacation in one of three areas of the park: Romanworld, Medievalworld, and Westworld, where they can live out their fantasies and it’s fun for all. Brolin and Benjamin decide Westworld (what American boy has never played cowboy at some time in his childhood? ) and for a few days they have the time of their lives shooting up poor guys, starting barfights, and drawing a bead on deadly rattlesnakes. But it’s all harmless fun and games — everything’s computerized, the dreadful guys, the ladies of easy virtue, even the rattlesnakes; and there’s a state-of-the-art computer lab to hold everything running smoothly. Nothing to distress about…

…until the computers do a virus that sends them off into a learning curve that screws everything up. The first hint that something might be amiss happens over in Medievalworld, when a robot harlot decides she is tired of being a sex object and smacks a customer across the face when he tries to seduce her. Meanwhile, help in Westworld, the bad-guy-in-black robot challenges Brolin and Benjamin to a gunfight, but instead of being shot dull as he is every night, the abominable guy decides to turn the tables. Oh boy, maybe it’s time to sever this vacation short… but that’s easier said than done when all of the robots have gone berserk and inaugurate whacking not only the customers, but their programmers as well. Murphy’s Law has proved itself once again with a vengeance. Is there any blueprint out of this mess? Look for yourself.

Brolin and Benjamin are fairly profitable in their respective roles, nothing to write home about; but what makes this movie special is Yul Brynner’s terrific portrayal of the bad-guy-in-black; a soulless robot with the plain eyes of a killer. The special effects are spellbinding in that they explain us how far special effects have advance since this movie was made; this was strictly a low-budget film, but it’s a lot of fun for all that. It’s pure Crichtonian escapism.

Buy,Download, Or Stream Westworld! Click Here

Buy,Download, Or Stream Westworld! Click Here

I picked this film up about a week ago. I hadn’t seen it since it premiered assist in the 1970′s. It made no impression on me whatsoever on that first viewing. Boy has time and its simplicity improved it, the second time around! This is a very timely film and I consider people of all ages should engage a study at it.

This film moves from humour to fantasy to anxiety almost seamlessly. And the droll thing is- the fact that Crichton didn’t derive caught up in atmosphere or look; he concentrated on two characters simply going to a future resort, however astounding the opinion seems, to release and experience what in fact become examples of some of the darkest pleasures or most violent impulses inside of all of us. It really presses the correct buttons and asks questions about what we obtain fun or challenging.

Buy,Download, Or Stream Westworld! Click Here

I don’t want any review I write to spoil the films for the people yet to eye the work so, let’s impartial say- when the tables turn and ‘we’re on the receiving demolish ‘, there’s a valid numbing truth to what this film drives home. More so today then when it was released. Reflect of some of the ‘reality based darkness’ that now litters our airwaves and the gloomy numbers who seem to be tuning in to notice it.

James Brolin really nails the ‘who cares’ feel his character needs. Richard Benjamin has to be the one who feels humorous at first, then joins in with a sort of reckless abandon. And Yul Brynner is an example to everybody today (in acting, directing, effects and make-up ), of how you can awe the hell out of someone with a search for, a smile and two cramped silver contact lens. (You’ll know what I mean when you rep to the scene) . Benjamin really balances him from that point, having to characterize the dismay the recent reality hits him with.

I won’t do the Jurassic comparisons. I understanding it when Jurassic came out but Jurassic was a rollercoaster slide. Westworld is the sage with the staunch bite.

I highly recommend this movie. It’s an entertainment that expeditiously turns to a truth I assume we all need to withhold thinking about. What do we really procure lively? Or more to the point… why?
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